Projekt Atol, within the framework of the Feral Labs Network and the Creative Europe project Rewilding Cultures (2022–2026), announces the publication of Feral Labs Node Book #3: Fa Fa Futures, the newest volume in the evolving Feral Labs Node Book series developed in collaboration with partner organisations across Europe, including the Department of Audio & Visual Arts and the Interactive Arts Laboratory (InArts Lab) of the Ionian University.

Edited by Dalila Honorato, Iakovos Panagopoulos, Tina Dolinšek, and Uroš Veber, the publication brings together artists, researchers, curators, educators, technologists, and cultural practitioners from across Europe and beyond to explore ferality as a methodological, ecological, artistic, and political condition emerging through transdisciplinary artistic research, collective experimentation, situated knowledge, and more-than-human relations.

The publication continues the Feral Labs Node Book series’ commitment to process-based practices, collaborative learning, decentralised cultural production, and alternative models of knowledge exchange developed through the wider Feral Labs and Rewilding Cultures network.

The volume includes the following chapters and contributors:

• The Primer to Fa Fa Futures (Prologue) — Dalila Honorato, Iakovos Panagopoulos, Tina Dolinšek, Uroš Veber

• Experiments in Land and Water: Indigenous, Feminist, and Decolonial Traditions — Prathima Muniyappa

• Rewilding Animism – Doing It With More-Than-Human Others — Veroniki Korakidou

• Life-Art-Technology beyond the Laboratory: Organological Practices, Poetics of Care, and Decolonial Perspectives — Matheus da Rocha Montanari

• Feral Conditions and Rural Futures: Engaging Hybrid Communities through Arts Engagement and Feral Lab Practices — Emma Hallemas, Anna Isaak-Ross, Rita de Almeida Leite, Marta de Menezes

• Projekt Atol: Practices for a Planetary Now — Sabina Oroshi

• Slow Travel, Symbiocenic Families and Re-wilding Culture Gatherings towards Glocal Kinship — Sergey Dmitriev, Andrew Gryf Paterson

• Why Was the Sea Serpent There? — Steffan Jones Hughes

• What Making Tools taught me about Making Cultures — Irene Posch

• Living Future: Biotechnological Aesthetics for New Ecological Imaginaries — Mario Savini

• Nebulas, Forms, Forces: Lens-based Perspectives — Chelsea Coon

• Wet Witches and Rewilded Biotech: Bastard Protocols for How to Grow a Homunculus (Badly) — WhiteFeather Hunter

• Permission to Be Ridiculous, Field Notes from a Scientist Turned Artist — Clare Stott

• Feral in the Face of Overtourism: Approaching Corfu From Within — Sophia Vrioni

• Manualism: Knowledge Through Touch — Tactile Boards as Tools in Artistic Pedagogy — Martyna Groth

• Feral Energy Infrastructures — Camila Torralbo

• Bioart Biopsy: Shared Specimen Obtained — Adam Zaretsky

• Legal Battle against Political Abuse of Art: Interview with Maja Smrekar — Maja Smrekar, Ewen Chardronnet

Beyond the essays and artistic research contributions, the final section of the publication unfolds as a feral archive of the Rewilding Cultures network, documenting the processes, mobilities, collaborations, gatherings, and situated practices developed throughout the project between 2022 and 2026. This archival section includes The Rewilding Cultures Project on the Path of Sustainable Practices by Tina Dolinšek, as well as Rewilding Cultures Mobility Conversation, illustrated by Nicolás Parise Schneider. Together, these materials extend the publication beyond a conventional anthology into a living repository of collective experimentation, ecological reflection, and translocal exchange.

The publication also includes a broad collaborative editorial and production framework. Contributing editors are Adam Zaretsky, Ewen Chardronnet, Marta de Menezes, Rüdiger Wassibauer, Karla Spiluttini, Yvonne Billimore, Deborah Hustić, and Nicolai von Rosen. Proofreading was carried out by Miha Šuštar, while graphic design and typesetting were developed by Mina Fina—Ee. The volume was printed by Kerschoffset in Zagreb.

Published by Zavod Projekt Atol (Ljubljana, Slovenia) in May 2026, the book is released under a Creative Commons CC BY-NC-ND 4.0 license and distributed as a free edition with a print run of 600 copies.

The publication reflects years of collaboration between partner organisations including Projekt Atol, Bioart Society, Cultivamos Cultura, The Culture Yard, Ionian University, Makery, Radiona, and Schmiede, while documenting the emergence of feral artistic research practices across temporary labs, situated communities, workshops, residencies, and collaborative knowledge infrastructures.

More information and free downloadable PDF editions are available at: https://rewildingcultures.net/